Active
1990s - 2020s
Formed 1993 in Oxford,
England
Genre
Pop/Rock
Styles Alternative
Pop/Rock-Alternative Rock-Britpop-Pop Punk
Group Members Danny Goffey, Gaz Coombes ,Mick Quinn ,Rob Coombe
Like
many other British bands of the '90s, Supergrass' musical roots lie in the
infectiously catchy punk-pop of the Buzzcocks and the Jam, as well as the
post-punk pop of Madness and the traditional Brit-pop of the Kinks and Small
Faces. Perhaps because of its age -- two of the trio were still in their teens
when they recorded their debut single -- the band also brings in elements of
decidedly unhip groups like Elton John, as well as classic rockers like David
Bowie, the Beatles, and the Rolling Stones. With an exuberant, youthful
enthusiasm, Supergrass tied all of their influences together in surprising new
ways, where a Buzzcocks riff could slam into three-part harmonies out of
"Crocodile Rock," or have a galloping music hall rhythm stutter like
the best moments of the Who.
Consisting
of guitarist/vocalist Gaz Coombes, bassist Mickey Quinn, and drummer Danny
Goffey, Supergrass released their first single, the semi-autobiographical
"Caught by the Fuzz," in the summer of 1994 on the indie label
Backbeat; Parlophone signed the band and reissued the single in the fall of the
year. "Caught by the Fuzz" generated a significant amount of buzz,
including praise from Blur and Elastica. "Mansize Rooster," the
group's second single, was released in the spring of 1995; it made it into the
pop charts, as did "Lenny," which was released right before their
debut album, I Should Coco.
Released
in May 1995, I Should Coco received glowing reviews in the U.K. press and
debuted in the Top Ten. The band's popularity continued to grow, leading to the
number two double-A-sided single, Alright/Time. Staying in the Top Three for
nearly a month, the effervescent "Alright" pushed the album to number
one. I Should Coco was released in the U.S. three months later and a buzz began
to build there as "Caught by the Fuzz" began receiving MTV and radio
play. Supergrass earned fans in some quarters -- allegedly, Steven Spielberg
was interested in developing a Monkees-styled sitcom around the trio -- but I
Should Coco never quite caught on in the U.S. the way it did in the rest of the
world. Following a year of touring, Supergrass capped off 1996 with the single
"Going Out," the first taste from their second album, the psychedelic
In It for the Money. Appearing in the spring of 1997, In It for the Money had
greater ambitions than I Should Coco, a shift critics responded to enthusiastically,
but it was also a success in the U.K., going platinum and spawning the hit
singles "Richard III," "Sun Hits the Sky," and "Late
in the Day." Despite support from Foo Fighters and Pearl Jam, a further
attempt to crack the American market didn't take, and the group never again
prioritized the U.S.
Two
years after In It for the Money, Supergrass returned with an eponymous third
album whose stomping lead single, "Pumping on Your Stereo," suggested
a poppier record than they delivered. "Pumping on Your Stereo" and
its sequel, the Top Ten hit "Moving," helped propel the album to
platinum status in the U.K. Supergrass then went on an extended break, adding
Gaz's brother Rob Coombes as a full-time keyboardist during the hiatus and
coming back in 2002 with Life on Other Planets. Despite reaching the British
Top 10, Life on Other Planets was the beginning of Supergrass' commercial
downslide -- of the four singles, only "Grace" made it into the Top
20, with "Seen the Light" topping out at 22. An anniversary
compilation called Supergrass Is 10 arrived in 2004 and the following year the
group released the reflective, moody Road to Rouen, a record that had a pair of
modest hits in "Kiss of Life" and "St. Petersburg" and
wound up garnering respectable reviews.
As the
band prepared the release of their louder, glammy follow-up Diamond Hoo Ha,
Mickey Quinn broke his heel bone in September of 2007, leading Gaz and Danny to
do a quick club tour under the name the Diamond Hoo Ha Men. The album itself
came out in the spring of 2008. It was their last for Parlophone and performed
modestly well on the charts, generating no hit singles. Sometime in 2009,
Supergrass attempted a seventh album, provisionally entitled Release the
Drones, but during the recording the group fractured. They abandoned the record
and split up after a brief farewell tour in the summer of 2010, just after Gaz
and Danny released a self-titled album by their covers side project the
Hotrats. Quinn went on to assemble the DB Band and Gaz Coombes launched his
solo career with Here Come the Bombs in the spring of 2012. In September 2019,
a decade after they broke up, Supergrass reunited for a performance at the
annual Glastonbury Pilton Party. Following their initial appearance, they
embarked on a tour marking the 25th anniversary of their debut album, I Should
Coco. The reunion also heralded the release of the group's career-spanning box
set The Strange Ones: 1994-2008, which appeared in the first month of 2020.
Saisi
